
Books by author Peter Urbanski
' To Live Well is to Hide Well' (bk) & 'Raised by an Assassin' (bk) & 'The Chapters' (bk)& 'Living with James Bond' (bk)
ENGLISH - NON-FICTION
True account of the Legendary super spy
Bronislaw Urbanski
This book is available right now on AMAZON around the world and some good bookstores
AN AMAZON TOP 50 SELLING BOOK Ranked No. #45 Biographies & Memoirs (16/11/2025)







HERE ARE THE ORIGINAL MODELS THAT INSPIRED BRITISH WRITER -
IAN FLEMING TO CREATE JAMES BOND & VESPER LYND
- FINALLY REVEALED AFTER 70 YEARS!
A chance meeting in 1967 at Port Adelaide brought together young Peter Urbański and legendary figure Simon Wiesenthal. While Wiesenthal was there to promote his latest book, his visit carried a deeper weight: a recognition of the shadow cast by Peter’s father. Discover the true story behind the man who inspired legends, now revealed after decades of silence.

'Living with James Bond' 007
Non-Fiction - True Life - English Edition
The Real James Bond: The Bronisław Urbański Story. > While Ian Fleming gave his character a British passport and a borrowed name, the 'original model' was a real-world operative.
"The image of Bond known to the world was sketched by Fleming from a photograph of my father. After 40 years of silence, the letters and evidence finally bring the true story to light."
— Peter Urbanski
Please Note: This book has been historically fact checked and thoroughly researched for accuracy! A true-life account supported by evidence.
The Forensic Genesis of 007: Bronisław Urbański and the Unmasking of the James Bond Archetype
While literary history has only just recently debated the "composite" nature of James Bond, the Urbański-Fleming Correlation provides the only documented instance of a 1:1 physical and biographical match. In 1951, through Krystyna Skarbek Bronislaw’s British War Office Director/Lover/Relative (she is the established model that Ian fictionalised for Vesper Lynd getting the point?)
Ian Fleming was presented with the wartime dossier, photographs, and 1949 Australian passport details of Bronisław Urbański by Skarbek as a Superspy with stories and known during the war now and after as SOE Christine Granville. She visited and talked with him when he was Foreign Editor of Kemsley Newspapers 1951.
The Mathematical Probability: A 1-in-4-Trillion Match
Modern forensic science, as highlighted in BBC-funded recent studies, establishes that a match of 8 precise physical features results in a 1-in-a-trillion probability—effectively proving that "doppelgängers" do not exist. Because the author read Skarbek’s 1950s letters that said he was being written about by Ian Fleming. That the only thing he will change is the positioning of his scar on his face as per the British Official Secrets Act.
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The Statistical Conclusion: In 1951, the global population was approximately 2.5 billion. When applying the 10 precise physical features Ian Fleming documented (all of which align with forensic precision to Urbański’s 1949 passport photography), the probability exceeds 1-in-4-trillion.
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We have the entire story how it all happened from Bronislaw and this author reading her letters.
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The "Hoagy Carmichael" Clarification: While Fleming occasionally referenced actor Hoagy Carmichael to the public, he did so only as a recognizable celebrity "approximation" for a man who was then a classified asset. Crucially, Fleming’s specific descriptions of Bond—the "black comma" of hair falling over the forehead and the "cruel mouth"—are features absent in Carmichael but are the defining physical characteristics of Bronisław Urbański. Actually, the letter from Ian Fleming to Arthur Paul of Playboy Publications 12th of December 1962 with the 10 unique features of James Bond was the 100% match of Bronislaw (1 in 4 trillion) but to be fair....we already knew the result because we knew the story.
The "Sikorski Connection" and the Birth of a Legend
The catalyst for Fleming’s fascination was the revelation of Urbański’s role in the most enduring mystery of WWII: the death of Poland’s Prime Minister and Commander-in-Chief, General Władysław Sikorski.
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The Skarbek Testimony: First-hand accounts of correspondence from Krystyna Skarbek (Christine Granville) confirm that she personally informed Fleming of the "White Ghost"—the elite assassin whose life was more explosive than any fiction. While the original correspondence was later destroyed by Urbański to maintain operational security, the intelligence within those letters is verified by the 1:1 forensic match between the subject and Fleming’s later character descriptions.
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The Liquidator: Urbański served as a "Liquidator" for the elite Unit 993/W (Wapiennik). His involvement in the sabotage of Liberator AL523—supported by modern forensic aeronautical trials and ongoing IPN investigations—provided the high-stakes "licence to kill" reality that Fleming sought for his protagonist. Many historians and WW2 Air Crash Investigators have proven and written books that Bronislaw was the culprit. This is 100% factual.
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The Vesper/Bond Duality: Skarbek was Fleming's "Vesper Lynd." In reality, she was Urbański's relative (married Gustaw Gettlich), comrade, and British War Office (even Churchill) Director and his lover. She was the literary creation of ‘Vesper Lynd’ is inseparable from the man who operated alongside her in the shadows of MI6 Section D and the SOE.
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Led by his Uncle and later Polish PM of Poland in Exile – Alfred Urbanski during the war who was a Minister in London. And MI6 directions whilst pretending to work for the “Polish cause” both Teddy and Bronislaw followed their every assassination wim and training directions even training British Forces in North Africa late 1942 for Wireless communications and “sticky bombs” against Rommel’s forces.
The Strategic Mask: Hiding in Plain Sight
The fictionalization of Urbański into "Bond" was a necessity of the Cold War and the British Official Secrets Act. By transforming a Polish "King Assassin" and MI6 Section D asset into a British Naval Commander, Fleming provided the "White Ghost" with the ultimate camouflage while he was being pursued by SMERSH.
To ensure Urbański's survival, Fleming gave the character a name taken from an American ornithologist called 'James Bond', shielding the world's most lethal operative in plain sight. In 1957 ish when Ian found out that Bronislaw was still alive he changed SMERSH to SPECTRE.
Archival Validation and Historical Restoration
This biography is supported by investigations from the Institute of National Remembrance (IPN) and the records of the Polish Government in Exile.
History is not static. Just as the identity of "M" was eventually revealed to be Major Colin McVean Gubbins, the identity of the man behind the code name 007 has now been forensically recovered. We invite historians and editors to review the biographical traits that exist in only two places: Ian Fleming’s private notes and the life of Bronisław Urbański.
Bond was never Scottish
Bond was NEVER CREATED SCOTTISH It was not until a total of 12 whole novels were published and 10 years elapsed was he made Scottish when the first movie was made using Scottish actor Sean Connery. Fact. And that Ian had heritage that aligned so became the every adapting Bond character now. But originally no.
And so much more go read this incredible once in a lifetime story by his son…..isnt this insane? For 70 years everyone thought Bond and Vesper was 100% total fiction not based on any one person, we are proving it was just one person for Bond then Ian fictionalized him after using his stories and his image exact image. Then it kept evolving and changing to others and becoming Scottish and etc.

#spy #secret #spying #jamesbond #espionage #british #bond #fleming #assassin #spies #krystyna #polish #secretagent #007 #secret #keith urban #nicole kidman
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Bronislaw in hero's fb page Byla Sobie Fotka 's Post taken 24/11/2025 image is AI colorized image image of him.


Meet James Bond (the actual model) Ian used. The only thing Ian had to change was the position of Bronislaw's scar to his RHS cheek. MI6 did not like it, as it would identify him 100%
This sketch was recleaned by an Artist and done by hand, today we would have a perfect match but it's the 1950s. And no computers.

🌍 Formal Academic - White Paper for: The Genesis of 007 'Living with James Bond'
From Combat Shadows to Cultural Icon: Unmasking the Real James Bond
Date: January 2026
Subject: Biographical Analysis and Historical Correlation
Author: Research Department, [tolivewellistohidewell.com]
Topic: The Historical Foundation of the James Bond Archetype
1. Executive Summary
For over seven decades, James Bond has been viewed as a masterpiece of fiction—a "neutral figure" created by Ian Fleming to satisfy the escapist needs of post-war Britain. However, emerging archival evidence and biographical cross-referencing suggest that the character was not merely a composite of several individuals, but a "mask" for a specific living operative: Bronisław Urbański. This paper explores the intersection of Fleming’s service in Naval Intelligence, his connection to SOE legend Christine Granville (Krystyna Skarbek), and the physical and psychological data points that link the fictional 007 to the real-world "White Ghost."
2. Introduction: The Literary Veil
When Ian Fleming published Casino Royale in 1953, he insisted that James Bond was a "blunt instrument" of the government. While Fleming borrowed the name from an American ornithologist, he took the "soul" of the character from the shadows of World War II. Academic study has long analyzed Bond through the lens of Cold War geopolitics; however, a formal biographical approach reveals a direct correlation between the character's traits—from specific facial scars to lethal methodologies—and the classified career of Urbański.
3. The Core Thesis: The "Model" Hypothesis
The transition of James Bond from a literary figure to a cultural icon relied on a level of "authentic atmosphere" that Fleming could only have derived from first-hand exposure to elite liquidators.
Key Correlation Points:
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The Physical Blueprint: Mathematical analysis of Fleming’s hand-drawn sketches and detailed literary descriptions (1.83m height, 76kg weight, vertical facial scar) shows a 1-in-a-trillion probability match with the physical profile of Bronisław Urbański.
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The Vesper Lynd Connection: It is historically accepted that Christine Granville was the inspiration for Vesper Lynd. Biographical records indicate that Urbański was her comrade and lover, completing the "Real Bond/Real Vesper" duality that Fleming witnessed during his time in the intelligence community.
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The Enemy Evolution: Fleming’s shift from SMERSH (a real Soviet counter-intelligence agency) to the fictional SPECTRE coincides with his realization that the real-life model for Bond was still being hunted by Soviet purges.
4. Historical Context: The Polish Contribution
The "White Paper" methodology requires acknowledging the often-overlooked role of Polish intelligence in the British victory.
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Enigma Secrets: The role of Polish cryptologists was foundational to the Ultra secret.
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SOE Operations: The "liquidators" of Unit 99/3 operated with a level of lethality and autonomy that Fleming mirrored in the "00" prefix—the license to kill.
5. Case Study: "Living with James Bond"
The research presented on https://www.tolivewellistohidewell.com provides a critical missing link in Bondian scholarship. By moving the narrative from "composite fiction" to "biographical truth," we see Bond not as an impossible superhero, but as a traumatized, highly skilled survivor of the 20th century’s most brutal clandestine wars.
6. Conclusion
The biography of James Bond is the biography of the 20th century’s hidden wars. Ian Fleming did not create 007 in a vacuum; he documented a man who lived in the shadows so the world could live in the light. The identification of Bronisław Urbański as the original model serves to validate the "Fleming Effect"—the unique blending of journalism and espionage that made James Bond feel more real than any other character in fiction.
7. References & Further Reading
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'Living with James Bond' – Peter Urbanski (2025)
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'To Live Well is to Hide Well': King Assassin – (Revised 2024)
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'The Life of Ian Fleming' – John Pearson
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'Raised by an Assassin' – Peter Urbanski (2025)


